Georgian Style Interior Design Tips

Walls were a very important part of the Georgian interior and much attention was paid to their treatment. Classically, the wall area would have been divided into three sections: the dado/wainscoting, incorporating the skirting/base board, dado panel and rail (which would be at a height of approximately 75 cm/2ft 6in); the field or mid-wall section; and the top section made up of frieze and cornice.

Early in the period these panels would most probably have been made of oak and finished with a simple wax polish. Later, with the introduction of softwoods, the paneling may have been painted, albeit in rather drab colors, or given a faux wood finish.

Hangings of precious textiles and tapestries were fashionable and fabric walling as we know it also popular (except in the dining room, where food smells might be trapped). Fabrics such as silk and wool damask were attached to walls above dado height by means of wooden battens and finished with a gilt fillet. Costly wallpapers (including flock types and patterns with oriental themes) in sheets rather than rolls were highly prized and most frequently attached to a canvas backing before being hung, thus enabling them to be removed when the owners departed.

Flooring

Exposed bare wooden planks or parquet, simply scrubbed and waxed (and, for coziness, topped with an oriental or area rug) are typical Georgian treatments. For an alternative covering, a painted and varnished floor cloth made of canvas might be incorporated into the scheme. For halls and the grander areas of a house, stone or marble flooring, possibly in a classical pattern, was considered most appropriate.

Furnishings

Close co-ordination between all the soft furnishings within a room would have been evident, each item echoing the material and style of others. Popular fabrics of the day were velvet, brocade, damask, silk, chintz and tapestry. Oriental themes influenced many of the fabrics and toile de jouy might well have depicted scenes from Chinese life. Embroidered textiles were also very popular.

Lighting And Accessories

The main source of light, apart from the fire, would have been candles. These were housed in candlesticks, candelabra, wall sconces and lanterns made of wood, glass, brass or silver. Many candlesticks were based on classical designs, while those for the candelabra were mainly rococo in feel. Mirrors in gilt frames featured strongly, as did lacquerwork screens, porcelain ware and fans from the Orient.

Georgian Interior Design Ideas And Styles

Considered by many to be the epitome of all that is desirable for the interior design ideas (and, incidentally, the exterior too), the Georgian period has a great influence on how we arrange our homes today and is, in fact, the basis for the currently popular English country house style. A combination of perfect proportions, symmetry and harmony is hard to resist for long.

Covering a period of about a hundred years from George I's accession to the throne in 1714, Georgian style represents the sum of several highly diverse, imported styles, the homogenization of which produced a high point in English decoration. This style in turn was re-exported, influencing, in particular, the newly established colonies in North America.

At the start of the period, rococo was all the rage in France and to some extent in the rest of Europe. With its rampant, florid, asymmetrical lines featuring such motifs as scrolls, shells, flowers and ribbons - in fact, anything which could be represented by a curve - it had many admirers, not least the French court, the font of fashion in Europe.

In England, however, there were other forces at work. The Grand Tour, undertaken by many a well-heeled gentleman to enrich his cultural knowledge of the world, meant that continental ideas, especially those espoused in Italy - a 'must stop' on the trek - were given an airing back home. The Earl of Burlington was one who made the trip. An architect, he was much influenced by the work of Andrea Palladio in Italy, and upon his return to England did much to popularize this classical style of architecture.

The clash of these two very different styles could have meant an awful compromise. Instead the best of both was retained and the result was magnificent. The straight lines, symmetry and control of the Palladian style served to restrain the more excessive fluidity and glitz of the rococo interpretation. In turn the French delicacy and freedom of line lifted the rather constrained classical style.

To these two important influences were added two more, Gothick (the 'k' denotes the revival period) and chinoiserie. Every age draws upon the past and this was no exception and, with the increased availability of furnishings from the east, oriental taste also crept into the currency of English decoration.

One outstanding feature of the period was that, through the genius of people such as Robert Adam and William Kent, the designs of interiors were, for the first time, indelibly linked with those of the exterior. Classical pediments, plinths and pilasters all found their way indoors to become common interior embellishments.

Overseas trade and increased wealth led to a demand for a more sophisticated lifestyle. Rudimentary plumbing (running cold water at ground level and basic waste disposal) became available, as did better heating and illumination in the homes of the nobility and merchant class. Lower down the social strata it was a very different story, a fact that can be used to great advantage when planning a Georgian style interior today. It is not necessary to inherit a grand country mansion together with a substantial budget before considering the adoption of Georgian style. All you need are rooms of pleasing proportions and a knowledge of the materials and styles adopted by the average household of the day. A modern-day natural floor covering, such as jute over a quarry tiled floor, will serve every bit as well as a precious Aubusson carpet on ancient wood.

As with the interior styles of other ages, it was the development of materials and skills which greatly influenced the changes in interior fashion. The use of hardwoods (mahogany in particular) and the refinement of glass production meant that early 'heavy' designs gave way to more delicate styles.

Rooms were dominated, as ever, by practical considerations. The need to keep warm and to introduce as much light as possible meant that considerable thought was given to fireplaces and windows.

Mirrors were also an important feature, reflecting and increasing what natural light was available and, at night, candlelight. Practical though these elements were, it did not mean that they had to have a utilitarian appearance. Fireplaces were surrounded by the grandest of treatments in fine marble, mirrors framed with intricately carved, gilt moldings and windows dressed either with beautifully paneled shutters or curtains hanging from delicately worked, wooden pelmets. In addition, doors (often double) were fielded, ceilings molded and walls frequently paneled.

Not only was this a golden age of architecture and decoration but furniture making too was at its height. The designs of Thomas Chippendale, George Hepplewhite and Thomas Sheraton are legendary and constantly revived. No wonder, then, that elements of Georgian style have endured and are as popular today as ever.